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“I’m not sure it’s that useful all of the time. “We’re living inside this time where there’s an expectation, if you have some measure of a platform, to use it,” she says. Thompson readily acknowledges the things that people expect of her.
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She is a star of action franchises like Men in Black and of Marvel movies she has charmed audiences in independent films like Sorry to Bother You and Little Woods she has appeared in TV series like Westworld and Dear White People she records her own music there’s a Twitter account dedicated to posting pictures of her with goats (more on that later). After all, she is, at 37, one of the most visible performers of her generation.
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Thompson is aware that she’s expected to do something. The world as it really is, she explains, “has been exposed in all its glory and gore, and maybe there is hope in that, in the sense that some of us are more awake than we have been.” The question becomes what we do, now that we’re more awake. “It feels like things have been turned inside out this year,” Thompson says. We are experiencing yet another surge in coronavirus cases, and the holiday season isn’t shaping up to be nearly as festive as it should be. It’s late November, and while we’re past the 2020 presidential election, political uncertainty lingers. Without superficial distractions, we’re able to get real and go deep.ĭuring the initial moments of our conversation, Thompson remarks, “‘How are you?’ feels like a cruel question these days,” and indeed, she’s right. We’re talking over Zoom and having a great conversation, but, given that this is how interviews take place these days, there’s no opportunity to witness a quirky encounter with a fan or to remark on her wardrobe or to see what and how she eats. It’s just before Thanksgiving, and Thompson is at home in Los Angeles, beautiful as ever, sitting in a chair with a knee pulled to her chest. I’m not speaking to Tessa Thompson in person, and that’s honestly kind of a relief.